Friday, 12 December 2014

Incredible India: Part 15: Delhi–Safdarjung’s Tomb, the Lodi Gardens & the Red Fort

world-map delhiGreetings!

It’s been a pleasant week this week on UTM with the current ALT (Assistant Language Teacher) in Oswano in Japan, contacting me after reading my articles about my time there. It’s nice to be reminded of good times in good places and good to hear that he is enjoying his time as much as I did.

And there’ll be more coming up on Osawano after Incredible India has all been posted which, I estimate to be around Christmas time. But until then, let’s head back to the Indian capital to peel back another layer of the intriguing Delhi onion…

Keep travelling!

Uncle Travelling Matt
Flickr album of this journey

Links to other parts of the the travelogue:






















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Safdarjung's Tomb represents another layer in the Delhi onion; that of the Nawabs, the more decadent descendants of the Mughals whom the British gradually dominated and then replaced. Although far more dilapidated and modest than its more famous cousins in Agra, the Mughal lineage was plain to see: the design was that of a mini-Taj although far less measured and hinting at the corruption and decline of the age in which it was built:

“Safdarjung interested me because his life seemed to encapsulate perfectly the intriguing but cataclysmic half-century that linked the Mughal high noon at the close of the seventeenth century with the decay and disintegration of the Twilight fifty years later. When Safdarjung arrived from Persia, Aurangzeb was still Emperor and Delhi was still the richest, most magnificent and most populous city between Istanbul and Edo (Tokyo); with its two million inhabitants it was far larger than either London or Paris. Its army was invincible; its palaces unparalleled; the domes of its many mosques quite literally glittered with gold. By the time of Safdarjung's death, the Persian Nadir Shah had been and gone, carrying with him the accumulated riches of eight generations of Empire. Three Emperors had been murdered (one was, in addition, first blinded with a hot needle); the mother of one ruler was strangled and the father of another forced off a precipice on his elephant. Delhi, the great capital, was left a city of gutted ruins... The tomb stands today as a telling memorial to the period. Most obviously, it demonstrates the strained circumstances of the age. Compared to the purity of the Taj Mahal – the spotless white marble, the unfussy shapes, the perfectly balanced design – Safdarjung's tomb with its bulbous dome and stained sandstone walls seems somehow flawed and degenerate. Every schoolchild the world over knows the profile of the Taj, and in so far as Safdarjung's tomb is different, it at first sight looks wrong: its lines look somehow faulty, naggingly incorrect.”[1]

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Safdarjung's Tomb

I wandered leisurely around the tomb and then ambled across the road to another place that I very much wanted to see and which tells of yet another Delhian era: the Lodi Gardens.

Imagine this: a medium-sized city park full of trees and flowers, a small river and pool, young lovers holding hands or kissing in the shade and birds singing overhead. It's a pleasant image but not unlike thousands of other city parks across the globe, (although I've never come across one before with quite so many doe-eyed couples), except that this one is different; the Lodi Gardens are also chock-full of UNESCO-standard ancient ruins. Like with so many other sites that I'd visited in India, anywhere else in the world and this would be the city's main attraction; here it is all but ignored.

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A ruin in the Lodi Gardens

I, however, did not ignore it. Instead, as the sun was setting, I ambled happily around the tombs of the Lodi and Sayyid rulers who controlled these parts before the Mughals marched into town, wandering freely through the atmospheric mosques and mausoleums. It was marvellous, simple marvellous and the perfect way to complete my day's sightseeing. In the tuk-tuk on the way back though, I was brought back down to a cruder, less romantic side of the Indian psyche:

Tuk-tuk driver: “Excuse me sir, do you like cricket?”

Matt: “Yes I do, particularly test.”

Tuk-tuk driver: “Yes, I also. I like test and other test...”

Matt: “Other test?”

Tuk-tuk driver: “The Pussy Test! Pussy Test is best test man!”

There is one sight on every tourist's Delhi itinerary and that is the Red Fort at the end of Chandni Chowk. I took the Metro there but then got lost and so had to finish off my journey by cyclo. I queued up with the other tourists and then went inside, eager to check out another of the settings of 'Jodhaa Akbar'. Ultimately though, this one disappointed. Still suffering from the fort fatigue that I'd contracted in Agra and exacerbated at Jaipur was one factor but even without it I don't think that the Red Fort matches up to the others.

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At the entrance to the Red Fort

Once upon a time though, it would have done. From its scale and layout, I was sure that centuries ago it would have eclipsed even Agra Fort, but today, sadly not. And the reason behind that was a bitter pill for me to swallow: the British.

By the 19th century the prestige of the fort was a shadow of its former self but the complex was still completely in tact and the puppet emperor held his court there. However, when the population rose in 1857 in what I have always called the Indian Mutiny but what the Indian government these days refers to as the First War of Independence, then he had to choose sides and the Red Fort became the rebel stronghold.

But he could not hold out for long against the mightiest military machine on earth and after bombarding it and destroying many of the fine Mughal buildings, the British moved in and replaced what they had blown up with some of their own edifices or, as Dalrymple puts it, “In the place of the marble fantasies they tore down, the British erected some of the most crushingly ugly buildings ever thrown up by the British Empire – a set of barracks that look as if they have been modelled on Wormwood Scrubs.”[2] Strangely – yet fittingly – it rather reminded me of the Old Fort in Corfu Town, a 16th century Venetian citadel that the British also defaced in the 19th century with barracks.

Morosely, the most interesting part of the entire tour for me was in one of those barracks, the exhibition on the Mutiny which tells the story from a perspective that I was unused to, although the overall highlight for me was taking photos with some Afghani kids by one of the Mughal pavilions.

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Afghani kids in the Red Fort

Next part: Delhi – The National Railway Museum & Indira Gandhi's Villa



[1] City of Djinns, p.156-7
[2] City of Djinns, p.222





















Saturday, 6 December 2014

Incredible India: Part 14: Delhi–The Lotus and ISKON Temples

world-map delhiGreetings!

I'm still in Delhi this week, checking out two unusual temples that were, if I am to be be truly honest, not really to my liking. Still, each to their own and the Lotus Temple in particular has many admirers.

In real time I am also putting the final chapters together of the account of my trip around Armenia, Nagorno-Karabagh and Georgia with Paul. As always, it shall be featured here first.

Keep travelling!

Uncle Travelling Matt
Flickr album of this journey

Links to other parts of the the travelogue:






















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In Delhi's south-eastern suburbs is another architectural talking point which, unfortunately, Dalrymple never bothers to comment upon. Built in 1986, the Lotus Temple is one of only a few houses of worship around the globe dedicated to the Baha'i religion and it is so called because it was designed to look like an enormous lotus flower. It is a distinctive-looking place and since I knew very little about the Baha'i faith, I was determined to check it out.

I'd had two other brushes with the Baha'i prior to my visit to Delhi. The first was in Haifa in Israel, a port city dominated by the Shrine of the Bab, the tomb of of the Bab, the founder of the Baha'i faith and one of the holiest sites on earth for the Baha'i. I recall visiting and finding its cascading Italianate gardens pretty, but annoyingly at the time I was not remotely interested in discovering anything about the religion itself.[1] And my second encounter was during my time as a journalist for the Burslem Local Edition in which I had a column on faith groups in the area. I contacted the local Baha'i representative for an interview and although the chap would not grant one, we did talk informally at great length on the phone and the religion that he described sounded extremely liberal and non-judgemental or, as he put it, “like a group of Muslim Quakers”.

So, what were my impressions after this third encounter? Well, the temple grounds were exquisitely maintained and the Lotus Temple did look pretty stunning from the outside, a sort of symmetrical Sydney Opera House, and there were some exceptionally pretty young ladies who marshalled the visitors and gave a brief overview of their faith, but I have to admit that, once inside, I was sorely disappointed.

Of course, I should have expected it from the description “Muslim Quakers”. Quaker theology is pacifist, it is liberal, it is non-judgemental and it emphasises silence and personal devotion. All of which I laud, but the problem is that such a philosophy doesn't make for great religious buildings; our local Quaker Meeting House is a room with a circle of chairs in it. It is bare and functional. In fact, before it was a Quaker Meeting House it was the headquarters of a local lads' and dads' football club.

And so it was with the Lotus Temple, (without the lads and dads aspect of course). Inside it was a vast hall with nothing in it save for chairs and a table with flowers on it. Silent, simple and conducive to meditation perhaps, but at the same time, boring. Quakerism was the product of an iconoclastic Protestant revolution this place drew on similar influences in Iran. It was like on of those naff modern cathedrals thrown up in concrete and glass since the war, and like with Liverpool, Coventry and Clifton, I was distinctly underwhelmed.

And I was even more underwhelmed when I attempted to learn something about the Baha'i faith for there were no exhibitions that told me anything beyond a broad universalist message and no one to ask. In the end all that I could do was purchase a little book entitled 'The Baha'i World Faith: An Introduction' and hope that that could answer my questions. And so it was that I wandered off thinking that the Baha'is get good marks for substance but a very definite “must try harder” for style.
Much like the Quakers I suppose.

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The Lotus Temple




Next door to the Lotus Temple is the Hare Krishna ISKON Temple Complex and if the Baha'is are a lesson in minimalist simplicity, then this lot are a departure off in completely the opposite direction: a riot of sculpture of the cheapest kind, signs telling you where to go in English and adverts for a sound and light spectacular of the Bhagavad Gita, this was Krishna meeting Mickey Mouse, a Disneyesque parody of a traditional Hindu temple.

I've never known quite what to make of the Hare Krishnas as ISKON (the International Society for Krishna Consciousness) are commonly referred to. Founded in 1966 by A. C. Bhaktivedanta Swami Prabhupada, they are the most visual of the Hindu groups that headed west on the tides of hippy counter-culturism and gained many notable converts such as George Harrison of Beatles fame whose famous track 'My Sweet Lord' was a hymn to his ISKON beliefs.[2] Like with so many of the New Religious Movements that popped up at that time, it has always struck me as a tad cult-like with its own translations and commentaries on the Gita which its devotees learn off by heart as well as its strict vegetarianism and chastity. But then again, I've never heard any horror stories such as seem to surround groups like the Scientologists or even the more mainstream Jehovah's Witnesses, and all the (non-ISKON) Hindus that I've spoken to have no issues with the sect. Walking around that temple complex in Delhi though, I felt uneasy with the brash plastic Hinduism that it seemed to present alongside rampant commercialism, (the fees to enter the sound and light spectacular were the equivalent of a week's wages to a poor India). However, on the other hand I saw vans and minibuses that took out free food to the slums so some of the money at least was being used for good purposes. In the end I surmised that perhaps my unease was the same as I feel at certain evangelical churches with their cheery slogans and atmosphere more akin to a rock concert than a Gothic cathedral: it ain't evil but at the same time, it ain't me.

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The ISKON Temple


[1] To be fair, I was 19 and in Haifa waiting to sail off to Greece to enjoy a summer of sun and sport on the island of Corfu so it perhaps wasn't surprising that spiritual experiences were not top of my priority list...
[2] And was also a favourite of my grandmother's who mistakenly thought that he was singing about Jesus.














Friday, 28 November 2014

Incredible India: Part 13: Delhi–New Delhi & the National Museum

world-map delhiGreetings!

This week’s offering is the first of those dealing with my explorations of the Indian capital. I was first tempted to travel there after reading William Dalrymple’s excellent ‘City of Djinns’ and although over a decade passed between closing its pages and getting on the plane, the inspiration still stands. So, head down to your local bookshop this weekend and see what they have on offer. You never know, it might inspire something great…?

Keep travelling!

Uncle Travelling Matt
Flickr album of this journey

Links to other parts of the the travelogue:






















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Delhi (III)

And so I was back in the capital, the final stop on my (first?) Indian odyssey, the city that I'd read about in 'City of Djinns', which had made me think that this might just be a country worth coming to.

I arrived early in the morning, the sun still rising, and booked into a hostel, (Travellers Guest House at 600 rupees per night), near to New Delhi Railway Station, and then embarked on my quest to get to know India's many-layered capital. And I started that mission by taking the Metro, (which was to become my best friend over the days that followed), to the layer of Delhian delights that was most familiar to my palette, the British layer: Sir Edwin Lutyens' New Delhi.

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New Delhi

New Delhi was the British Raj's magnificent new capital for its Indian Empire, the greatest planned city on earth, built to surpass even Washington, (which I suppose, it was largely inspired by). Whether it succeeded or not I cannot say, never having been to the USA, but most commentators judge that it does. Certainly its long, straight boulevards, majestic imperial buildings and bulky and triumphant India Gate – New Delhi's own Arc de Triomphe – are impressive. It is also an antidote to the chaotic clutter of Chandni Chowk but a mile or so away, with its open spaces and ordered lines, but that antidote is, at the same time, perhaps a little too strong. The scale here is inhuman and incomprehensible and to explain what I mean (and why) permit me to let William Dalrymple speak:

“However many times I revisited the complex, I would always be amazed by the brilliantly orchestrated flirtation of light and shade – the dim colonnades offset by massive walls of sun-blasted masonry. Yet the most startling conceit of all lay in the use of colour: the play of the two different shades of pink Agra sandstone; one pale and creamy; the other a much darker burnt crimson. The two different colours were carefully arranged, the darker at the bottom as if it were somehow heavier, yet with the two contrasting tones blending as effortlessly into one another as they once did in the quarry.

It was superb. In the dusk, as the sun sank behind the great dome of the Viceroy's House, the whole vista would turn the colour of attar of roses. I would realize then, without hesitation, that I was looking at one of the greatest marriages of architecture and urban planning ever to have left the drawing board.

Nevertheless, the more often I came, the more I felt a nagging reservation. This had less to do with aesthetics than with comparisons with other massive schemes of roughly similar date that the complex brought to mind. Then one evening, as I proceeded up the cutting and emerged to find Baker's Secretariats terminating in the wide portico of the Viceroy's House, with this great imperial mass of masonry towering all around me I suddenly realized where I had seen something similar, something equally vast, equally dwarfing, before: Nuremberg.

In its monstrous, almost megalomaniac scale, in its perfect symmetry and arrogant presumption, there was a distant but distinct echo of something Fascist or even Nazi about the great acropolis of Imperial Delhi. Certainly it is far more beautiful than anything Hitler and Mussolini raised: Lutyens, after all, was a far, far greater architect than Albert Speer. Yet the comparison still seemed reasonable. For, despite their very many, very great differences, Imperial India, Fascist Italy and Nazi Germany all belonged to comparable worlds. All were to different extents authoritarian; all made much of magnificent display; all were built on a myth of racial superiority and buttressed in the last resort by force. In the ceremonial buildings of all three, it was an impression of the might and power of the Imperial State that the architects aimed above all to convey.”[1]

Yes, Dalrymple was right, for I too had seen this before; in Nowa Huta in Poland, in Milan's railway station, in Ceauşescu's Bucharest and in Mao's Tienanmen Square. Whilst always had a soft spot for a dollop of totalitarian bombast, any architecture, no matter what the political shade of its creators, that is not built on a human scale, ultimately always fails to completely succeed.

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Tuk-tuk in New Delhi

In the heart of Lutyens' capital can be found the National Museum where I headed to try and gain some sort of big picture to all the wonders that I had viewed over the previous fortnight. A couple of hours and several hundred statues later, I managed to start just that, separate one layer of Indian civilisation from the next. I was beginning – though only just – to get a handle on this bewildering Pandora's box of wonders. Any culture is influenced by its forebears and neighbours and it is in those relationships that we begin to understand. Once aspect that particularly fascinated me was when Alexander the Great's incursions were discussed. Although very few concrete traces of his stay were left behind, the statues of Buddha at the time began to be dressed as a Greek noble and so it has continued to this today. It was remarkable but, despite having gazed upon images of the Buddha thousands of times during my years in the Far East, I never once realised – despite the fact that the evidence is there staring you in the face – where his costume came from.




[1] City of Djinns, p.81-2





























Sunday, 23 November 2014

Incredible India: Part 12–Pushkar II

world-map delhiGreetings!
Sorry that this week’s offering is a little late. No excuse really, except that I’ve been busy booking up future travels including next April’s epic trip to North Korea and my first time on Eurostar for a few days in Paris in February. So excited!
Keep travelling!
Uncle Travelling Matt
Flickr album of this journey

Links to other parts of the the travelogue:






















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Pushkar (II)

The next day I explored Pushkar, mixing the “real” India with the faux. For example, I breakfasted on falafels, unknown elsewhere on the Sub-Continent yet the meal of choice here, probably because every second tourist seemed to be an Israeli[1] before getting lost in the alleyways where not a backpacker was to be seen and the local women wore gorgeous, colourful Rajasthani dress. I contemplated visiting a shrine perched atop a nearby mountain, (a thirty minute walk my guidebook said), but decided against it; this was a town to take it easy in and so instead I decided to circumnavigate the pool, stopping off anywhere en route that interested me.

Going down to the pool at the Queen Mary or Gandhi Ghat[2] I was accosted by a Brahmin priest who conducted a ritual on me which involved marking my forehead with coloured powder and tying a sacred thread around my wrist. To be honest, it was more a money-making ploy than a genuine spiritual experience since he demanded an exorbitant fee afterwards which I tried to haggle him down from, but the threads stayed around my wrist for many months afterwards until they finally disintegrated, a reminder of my trip to that sacred pool and the eternal presence of the Divine.

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The pool from the Gandhi Ghat

I visited the Brahmā Temple, dedicated to the Hindu god of creation. As another indicator as to how confusing Hinduism can be to the outsider, I thought that this was dedicated to Brahma, the Hindu One God of thousands of faces of whom all the other deities are but aspects of, but no, I later learnt that this was Brahmā not Brahma and the two are different entirely, Brahmā being one of the Hindu Holy Trinity (and thus an aspect of Brahma). Nonetheless, this Brahmā temple was rare, one of but a handful in all India.

This is all due to the legend of Pushkar's founding. Apparently Brahmā was in search of a place for Mahayagna (a kind of ritual) and found Pushkar suitable except that, after a while, a demon named Vajranash started killing people there so Brahmā intoned a mantra on a lotus flower, thus killing the demon but in the process one of the leaves fell to the earth creating the sacred pool. Once the demon had been dealt with, Brahmā decided to perform a yagna to help protect Pushkar from future demonic incursions, but to do so he needed the help of his wife. Alas, Saraswati his consort was nowhere to be found so instead Brahmā married Gayatri, a local Gurjar girl, who then performed the yagna. This act though, made Saraswati furious and she cursed her husband saying that he would be worshipped in Pushkar alone. To this day, the priests at the temple are all Gurjars.

I wandered on round the pool, stopping to listen to chanting in one temple before pausing for a shisha pipe and mint tea at the Sai Baba Garden run by a guy called Shiva Sankar. He told me about his life and invited me to a particularly auspicious Shiva temple in his village of Kharekhari nearby. I would have loved to have gone and partaken in his hospitality but, alas, my schedule was tight and my train to Delhi left Ajmer that night so I had to turn him down.

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Shiva Sankar

After finishing my pipe I moved on, now on the side of the pool with few temples and even fewer tourists. By the side of the road, fenced off and with a sign declaring it to be an historical reserve, were the ruins of an ancient temple. Anywhere else, these would have been the prime attraction yet here they were all but forgotten.

I wandered over the dam and back into the town, listening to a little of the test match commentary that a hawker had blaring from his radio before returning to my hotel to relax awhile out of the midday sun.

Once rested I climbed up to the roof of my hotel which commanded stunning views over all Pushkar and there I made a video. Of course, I'd been making videos throughout the entire trip – the first time I'd attempted to record my travels in such a way – but those had all concerned individual aspects of the journey, but this was more of an overview for quiet and sacred Pushkar was the ideal place to sit back and try to get a handle on all that I'd seen and experienced. I talked about the conflicting emotions that I'd had on my trip – my initial negative impressions, the sacredness of the Golden Temple, sightseeing fatigue in Agra and Jaipur, disappointment in Ajmer and the unexpected gem of Pushkar where, I was beginning to realise I was starting to fall in love with India. I knew that I could have stayed in that little town for weeks if I'd had the time – many people do – and it was with a tinge of sadness that I knew I would be leaving that night.





I went down to the Varan Ghat once more for sunset which was indescribably beautiful again and this time I fell in with Vini from the Krishna School of Music who was teaching a rather spiritually-inclined Portuguese girl some Rajasthani folk singing. I joined in and after the sun had dropped behind the hills we retired to his school, (a room about half the size of my bedroom), where we shared each other's musical traditions in a folk-off; 'Bread and Fishes' and 'Ned of the Hill' interspersed with Qawali and Rajasthani melodies.[3]




Bidding Vini adieu, I decided to kill some time and catch-up with reality in an internet café, not entirely successful though since there was a power cut soon after I arrived. What was more fascinating though was the proprietor who was writing out the word “Rama” hundreds of times as a spiritual exercise.[4] Then I gave my short sojourn in Pushkar the perfect ending by walking down the main street to the 'Rainbow Rooftop Café' for a drink and encountering a rather boisterous and beautiful traditional Rajasthani wedding procession on the way with the groom on a horse and retainers carrying large electric chandeliers. Once again, the word that came to mind was “incredible”.

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Pushkar




Next part: Delhi – New Delhi and the National Museum

[1] And I'm not sure why. One reason is that most were youngsters who'd finished the obligatory National Service and were taking some time out before entering real life, but even so you would have thought that they of all people would have had enough of religion in their own country without needing to seek it out elsewhere. However, the easy availability of weed may have been another decisive factor...
[2] So named because Queen Mary, the wife of King George V, bathed there in 1911 and after his death Mahatma Gandhi's ashes were scattered there.
[3] I sing folk music in a local pub most Monday nights and those tunes are two of my staples.
[4] I once attended a Pakistani Sufi session where they did a similar thing with the word “Allah”.